Meet the Players: Eric Lemmon, violist

Eric Lemmon is great violist who has been playing a lot with Aerial Photograph this year.  I really enjoyed his answers to the questions I posed to him. Learn more about his music and musical life at ericlemmon.net  – Thanks Eric!!!

eric lemmon

When did you start playing music/viola? What got you to start playing? 

I started playing piano when I was seven and picked up the viola when I was 12.  It’s a little fuzzy as to what really precipitated my starting piano, but I think my parents made my brother and I both take piano.  I studied with this amazing old pianist named Mrs. Barnhart.  I think that she was the one who really cultivated my love for music, as she let me write my own pieces, and didn’t kick my ass about boring technical stuff while I was young.  Maybe she was and I just didn’t realize it because she was an exceptional teacher. In 7th grade, I had started doing too many extra curricular activities, so my parents forced me to choose between viola and piano.  I cried my eyes out and then I chose viola because I could play with other people.

Who are some of your biggest influences as a violist? As a musician in general?

As a violist, it’ll have to be my teachers and instructors.  Each one has imparted really different important aspects of technique and musicianship.

As far as who I want to sound like?  It’s funny, I’ve looked up to beautiful aspects of my peers’ playing more than William Primrose, Kim Kashkashian, Roberto Diaz, or any other famous soloist.  In composition, Beethoven is the one who cemented my decision pursue a life in music, wherever that journey may take me.   He represents clarity, brilliance, and most importantly, hard work.

 

Do you have a favorite performance you’ve done in the last few years?

This is tough.  Maybe Mahler 5 with the Sheep Island Ensemble, or playing as a ringer for the Yamaha Junior Original Concert?  The latter was great, because I got to work and rehearse with some of my students in addition to kids from all over the east coast who wrote pieces for Viola and Piano.

I know you work with a lot of different ensembles that do a wide variety of genres. How do you maintain balance in your music/practicing/scheduling/sanity?  Any specific things you do to keep focused in your musical life?

Balance? What’s that?  Truthfully, I try to always make sure I’m doing something productive with my time.  I fail at this a lot, but whatever I’m doing, it gets me by.

Do you have any specific practicing routine that you work through?  How do you practice?

Currently I’ve been starting by doing scales and arpeggios, moving onto technical exercises and then etudes, and finally rep.  This general structure means that I always build technical elements from the ground up, even within a practice session.  It also helps keep the earlier technical work focused, as technical work inside of a piece can become distracted by having to combine all the elements of the music.

What have you been listening to these days?

I listen to a lot of Minimalist composers in addition to a range of pop/rock, soul and jazz.  Choosing one from each category, I’d say I’m listening to Philip Glass, Rolling Stones, Stevie Wonder, John Coltrane.

Do you have any book recommendations?

The Phantom Tollbooth.  It’s for kids, but it’s a wonderfully profound book in a whimsical way.  There are many allegorical moments in the book.

What are some of your goals for the future?

World domination.

Any additional thoughts? 

Playing with Aerial Photograph has been a ton of fun this year.  The music is great, and the concept can be funny, poignant, sad, and enlightening.  Because of the range of populations that can be surveyed over a year, one really gets the broad range of the human experience here in NYC.  I’m all about opening up ontologies.

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City of New York, 2013 & Kickstarter

Hey all,

This is a note about the Kickstarter campaign I’m doing to raise some much needed funds for the “City of New York, 2013” project.  The goal is to raise $12,000 by April 19th. We have about $3000 pledged with a little over two weeks to go.  If the goal isn’t reached, no money changes hands, and the project doesn’t receive any money.  It’s a manic existence for my wife and I! We receive a pledge and think “Yes, we can do this!” or a day goes by and the project receives nothing and we glumly think “Well, we tried.” But when I look at the Kickstarter website and see things like this getting pledges (ahem), I can’t help but feel certain that we will make it!

$12,000 is the lowest possible amount to fund this project every month. Between 10+ professional musicians, 2 talented recording engineers, other recording costs, materials for monthly CD booklets, and a bunch of other smaller expenses – and all of this happening every month for the rest of the year, I think $12,000 is pretty reasonable. A deal, actually.

So the remaining $9,000 seems really daunting right at this point. Would you consider helping? For just $15 you can preorder all of the music from the entire year. There are a bunch of other rewards for pledging that a lot of people have been interested in. And for those of you who have already put some dollars toward the project, thank you. I (and my wife!) really appreciate your generosity.

Here is the link:

http://www.kickstarter.com/projects/cityofnewyork2013/city-of-new-york-2013

Thanks for reading.

fingers crossed,

Matt